L.K. Madigan (lkmadigan) wrote,
L.K. Madigan
lkmadigan

booksbooksbooks

Last night I finished the totally hook-worthy I'd Tell You I Love You, But Then I'd Have to Kill You, by Ally Carter. Loved it! Can't wait to loan it to my 13yo neighbor. Speaking of hookish high-concept books (which we were on the Verla Kay boards), here's the plot: Fifteen-year-old Cammie is a student at a school for spies - both of her parents were spies, too. She can mix poisons, speak fourteen languages, and tail people without ever being seen. Her code name is Chameleon. But one day a normal boy notices her ... he sees her. Now she's unsure of what to say, what to wear, and how to talk to a boy who cannot find out who she really is. It's no surprise that this book has been optioned by Disney - and I can't wait to see the movie! But not only does the plot shout, "Hook!", the story is full of great lines like this: [Josh's mom says,] "Cammie, darling, give our number to your parents. Maybe they'd be interested in joining our bridge club." [Cammie thinks,] The last bridge my parents had anything to do with involved the Gansu Province, dynamite, and a really ticked-off yak."

I started lisayee's So Totally Emily Ebers last night, and I'm so totally excited! Emily, Emily, Emily Ebers, as Stanford would say. I've been wanting to hear what's on her mind.

One last bookish thought: over the weekend I read Storky, How I Lost My Nickname and Won the Girl, by dlgarfinkle. (I KNOW! Finally!) tamarak told me it was the funniest YA she read last year, and she was right. Mike's (Storky's) voice is completely engaging. He's starting high school with the usual fourteen-year-old concerns ... issues that do not shout, "Hook!" but that kept me turning the pages and laughing out loud. I wanted to know what was going to happen next.

Knowing a book like this exists in published form makes me happy, because my own YA boy book is similar. No huge hooks, but the kind of engaging voice that makes you want to find out what's going to happen next. (I hope.) Not long ago, I got a really nice rejection that told me I needed to emphasize what Blake (my MC) wants. To me, it's clear. He wants to be a good boyfriend and a good friend. But the two things cause conflict. They're not loud, hookish wants, like "Blake wants to go undercover in the world of meth addicts, break up an international drug ring, and save his friend's mother from drugs." No. Blake's not that high concept. He's a regular kid, and he's going to make mistakes. I think quiet boy books deserve to be on the shelves, too.

What about your book? Is it hookish and high concept? Or quiet and engaging?

Oy, time for me to get ready for work!

L8ter, friends!
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